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About the Author

Simon Walkowiak is a cognitive neuroscientist and a managing director of Mind Project Ltd - a Big Data and Predictive Analytics consultancy based in London, United Kingdom. As a former data curator at the UK Data Service (UKDS, University of Essex) - European largest socioeconomic data repository, Simon has an extensive experience in processing and managing largescale datasets such as censuses, sensor and smart meter data, telecommunication data and wellknown governmental and social surveys such as the British Social Attitudes survey, Labour Force surveys, Understanding Society, National Travel survey, and many other socioeconomic datasets collected and deposited by Eurostat, World Bank, Office for National Statistics, Department of Transport, NatCen and International Energy Agency, to mention just a few. Simon has delivered numerous data science and R training courses at public institutions and international companies. He has also taught a course in Big Data Methods in R at major UK universities and at the prestigious Big Data and Analytics Summer School organized by the Institute of Analytics and Data Science (IADS).

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Product details

Paperback: 506 pages

Publisher: Packt Publishing (July 29, 2016)

Language: English

ISBN-10: 1786466457

ISBN-13: 978-1786466457

Product Dimensions:

7.5 x 1.1 x 9.2 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#416,580 in Books (See Top 100 in Books)

I really enjoyed this book. Every concept is thoroughly explained, and the comparisons with other programs and platforms are really helpful. I don’t think there’s a better resource to learn R for data analytics (I’ve definitely looked and have been disappointed many, many times), so I can absolutely recommend this book.

It was exactly what I was looking for: a pedagogical read guiding me towards the next step with R. I'm an intermediate-level R user (not my first programming language), working mainly with relational databases and non-big data volumes. This book gave me a clear view of what is possible with R once the data become larger, analysis is moved to the cloud and a big-data environment (Hadoop & co) comes into play.

This is an excellent book. It is so from the purely technical point of view but it is also full of interesting facts and historical notes that make it entertaining as well. Well written and pedagogical, I definitely recommend it for anyone also looking for the R- Big Data connection.

Big data analysis has been a trend in Korea too! This book solved my curiosity of big data analysis and the practice with R.

The book starts with the good explanations of the concepts of big data, important terminologies and tools like Hadoop, MapReduce, SQL, SPARK. Then it reviews the R programing and its essential functions for data managing such as importing and exporting data, exploratory data analysis, data visualization. It continues with presenting major restrictions of R in dealing with big data and showing how to employ ff, ffbase and bigmemory packages in R to remove these limitations. Next it enters to more advanced topics Hadoop and Haddop Distributed File System (HDFS) and shows how to do data processing in Hadoop using R. It elaborates the creating single-node and multi-node Hadoop cluster with R along with the practical example. The two chapters of book are totally about connectivity of R and Relational Database Management Systems, SQL database and non-relational databases, NoSQL databes. The other chapter deals with Spark and shows how we can use it for a faster big data processing with using SparkR package in R. It also elaborates how to apply the machine learning algorithms on big data by using H2O platform and h2o package in R.In brief the book is suitable for those readers are going to start dealing with big data using R programming. It includes elementary and advanced topics of the subject successfully but it could be more useful if it includes one or two complete practical projects in details.

Great book for anyone wishing to hone their data engineering skills, having the R platform as their basis. Although this book is intended for the intermediate data science professional, some of the concepts it covers are fairly advanced, yet explained in such a way that they seem elementary. Some experience with the Linux OS (particularly the CLI aspect of it) would be very useful as the author goes into the nitty-gritty often, in order to perform low-level operations that enable the data engineering tasks he describes. He also provides a plethora of meticulously illustrated examples that make all the concepts he introduces hands-on and comprehensible.R is not my platform of choice (in fact I rarely use it nowadays), but I still enjoyed reading this book at least twice and I would recommend it to anyone who wishes to advance their data science expertise, using this particular platform. This is not a book you would read on your commute though. For best results I would recommend you treat it like a textbook and follow all of the examples on your computer.Disclaimer: I have been given a copy of this book for free in order to provide the Amazon community with an unbiased review of it. So, even though I'm not a verified purchaser, trust me when I say it, I know this book inside-out!

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Free Download And the Band Played on: Politics, People, And the AIDS Epidemic, by Randy Shilts

Free Download And the Band Played on: Politics, People, And the AIDS Epidemic, by Randy Shilts

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And the Band Played on: Politics, People, And the AIDS Epidemic, by Randy Shilts

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Amazon.com Review

In the first major book on AIDS, San Francisco Chronicle reporter Randy Shilts examines the making of an epidemic. Shilts researched and reported the book exhaustively, chronicling almost day-by-day the first five years of AIDS. His work is critical of the medical and scientific communities' initial response and particularly harsh on the Reagan Administration, who he claims cut funding, ignored calls for action and deliberately misled Congress. Shilts doesn't stop there, wondering why more people in the gay community, the mass media and the country at large didn't stand up in anger more quickly. The AIDS pandemic is one of the most striking developments of the late 20th century and this is the definitive story of its beginnings.

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An exhaustive account of the early years of the AIDS crisis, this outlines the medical, social and political forces behind the epidemic's origin and rapid spread with a clarity and narrative drive that should appeal to an audience far broader than previous books on the topic. San Francisco Chronicle reporter Shilts successfully weaves comprehensive investigative reporting and commercial page-turner pacing, political intrigue and personal tragedy into a landmark work. Its importance cannot be overstated: few topics merit more attention from the general public, or, as Shilts's account makes appallingly clear, have been as successfully and deliberately shielded from the public at such a high cost of human lives. What starts as a medical mystery and the moving chronicle of a relentless killer soon evolves into an expose of deception and ineptitude at the highest levels of government. The tragedies of AIDS are many, and they continue to multiply, and Shilts conveys the hideous suffering and the heartbreak of so many senseless deaths. But his detailed examination of the health establishment, the government and the press reveals the emergence of a more treacherous menace in the initial failure of our guardian institutions to respond to the crisis, despite the heroic efforts of a handful of individuals in hard-hit New York and San Francisco and at the Centers for Disease Control. Shilts presents one alarming story after another without letting his own passionsevident in the sheer enormity of the projectcompromise the excellent reportage. The reader rises to fury at the apathy, silence and deception that have characterized the official response. Shilts concludes with Rock Hudson's public affliction in 1985, a watershed in the nation's awareness of the crisis. And the Band Played On could prove to be an equally important milestone, freeing vital funding and generating an even greater outpouring of sympathy and outrage. The book stands as a definitive reminder of the shameful injustice inflicted on this nation by the institutions in which we put our trust. 50,000 first printing; $50,000 ad/promo; author tour. Copyright 1987 Reed Business Information, Inc.

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Product details

Hardcover: 630 pages

Publisher: St Martins Pr (November 1, 1987)

Language: English

ISBN-10: 0312009941

ISBN-13: 978-0312009946

Product Dimensions:

6.1 x 1.6 x 9.1 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

304 customer reviews

Amazon Best Sellers Rank:

#286,288 in Books (See Top 100 in Books)

Randy Shilts kind of points the finger at everyone, including the Gay community that he was a part of, and I feel that is what really made the book as great as it is.He didn't overlook the blame here and there to focus on one or two agents. He let it all out and because of that we got to see the many little things that all came together to give us the AIDS Epidemic. It's seems to be worth more because of that.It's not heavy handed. Instead he sets out all the pieces and lets us view it as a whole, without supplementing the blame to only the popular places and institutions.It's the best thing to read if you want all the social and governmental and medical reasons of this plague.

I read this originally right after it was first published, and regretfully gave away my copy. This 20th Anniversary publication, in paperback, is of course easier to hold, but I really missed the photos from the original. It is THE book to read about the beginning of the AIDS epidemic, and reading it again was especially poignant knowing the the author had subsequently joined the ranks of whom he had written so eloquently.

In Randy Shilts's 'And The Band Played On', the author successfully documents a moment in time that represents a major shift in the world. The AIDS epidemic has killed millions, but the fight against death mobilized the gay voice and can be seen as having led to the modern political rights we now have because it forced us out of the shadows and into living rooms.Drawing upon a wealth of sources Shilts' social history of the AIDS epidemic is a moving piece that uses oral history to illuminate a world not ready for the AIDS epidemic. Whether this was because of homophobia or prudishness or other social forces is unclear and up to the reader to decide. But it was not until the death of the manly and supposedly straight Rock Hudson that there was a a true paradigm shift in treatment of the AIDS epidemic. Until then responses to the epidemic were woeful.Beginning in the late 1970s in Africa and continuing to the late 1980s in the US, this particular history needs to be known. The cast of characters is large. And the death tool is almost as large. This is what makes this tragic history especially poignant and remarkable. As a gay man, I am always aware of AIDS and precautions against it. But this story starts in a period before AIDS was known. In this idyllic post-Stonewall period, sex was freedom for many. Having been born in 1980, I avoided the worst of the plague, but having recently seen The Normal Heart on HBO, I wanted to learn more. And this book succeeds in educating a reader about what can happen when ignorance and politics trump science.Now that we are entering the Truvada period, I think it especially important to understand what can happen again. Will it? Who knows but antibiotic resistant gonorrhea is out there. Who knows what other plagues lurk. Waiting.

This is nothing less than a compulsively readable tour-de-force in modern medical journalism. It's the history of a disease, a people, and an era all in one.I always knew I'd read this book eventually, but as with any long non-fiction tome there comes a risk that at some point your attention span might have to bow out. Not here: this book holds your interest on nearly every page (I skipped one or two of the more dense courtroom testimony pages, but often later went back to read them anyway). Randy Shilts does not ask for your time lightly - every chapter here is earned.It seems almost an omniscient narrative voice in involved, and with over 900 interviews and his own previous years of investigative work on AIDS, there's a reason for that.Before reading, I had foolishly assumed the word politics had been added to the title to sex it up a bit. Nope. The story of the various responses people, communities, and entire governments had to AIDS was all about politics. So often reading this book did I get the impression you could actually hear the bullet whiz past your ear. If you were born around or before 1980 in a first world country and ever had a blood transplant, this could have been your story too. While Mr. Shilts avoids sensationalism, the story is sensational enough in its barest facts for that point to be clear.I immediately looked up the author to learn more about what he had written only to discover he too died from AIDS in the 1990's. His book, already a tribute to a lost generation, is now an example of all the substantive contributions those men and women could've made if politics could have been shoved aside sooner.This book is a rare thing: it is both a great, historic work and a damn good read. Would that Randy Shilts had lived long enough to give us many more of its calibre.

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Download PDF The Rig Veda: An Anthology of One Hundred Eight Hymns (Penguin Classics)

Download PDF The Rig Veda: An Anthology of One Hundred Eight Hymns (Penguin Classics)

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The Rig Veda: An Anthology of One Hundred Eight Hymns (Penguin Classics)

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Language Notes

Text: English (translation)

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About the Author

Wendy Doniger is the Mircea Eliade Distinguished Service Professor of the History of Religions at the University of Chicago, and the translator of numerous Sanskrit texts including the Laws of Manu, and Kamasutra. Wendy Doniger holds doctoral degrees in Indian literature from Harvard and Oxford Universities and is the Mircea Eliade Professor of the History of Religions at the University of Chicago. Her publications include The Rig Veda and The Laws of Manu for the Penguin Classics, and the acclaimed Kama Sutra for OUP

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Product details

Series: Penguin Classics

Paperback: 352 pages

Publisher: Penguin Classics; 2000 edition (January 28, 1982)

Language: English

ISBN-10: 9780140444025

ISBN-13: 978-0140444025

ASIN: 0140444025

Product Dimensions:

5.3 x 0.7 x 7.8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#1,674,890 in Books (See Top 100 in Books)

It is wonderful that Penguin published excerpts from the Rig Veda for Anglophones but this edition needs a thorough update.While the Rig Veda is one of the most difficult of the world’s great religious texts to understand, the introduction does nothing to explain anything about the origin, authors or cultural world of these texts. And, while the inner textual apparatus is helpful this does not diminish the need for a thorough scholarly introduction to ground the reader. Without such a guide, I can only recommend the Wikipedia article as a partial substitute.Furthermore, the selection of texts is highly biased towards the later parts of the Rig Veda. I can understand selecting parts perceived as more relevant for Western readers, but I believe more than 90% of the Penguin edition is from books one or ten. Surely, there are hymns of interest in books two through nine that could have been included to provide a more representative sample.I gave the book three stars not because the Rig Veda is not worth reading, but because Penguin could put together a much better volume than this. It has been almost forty years since this edition was published. I can’t believe there are not interested Sanskrit scholars who Penguin could commission to provide an update. Text=beautiful Edition=disappointing.

I am reading this now. I have looked at several other larger versions. These are accessible translations with excellent notes. Probably the best selection out of a much larger book that is likely to be available. Clearly the result of many years introducing this important work to American students. It should be your first choice.note: Potential readers should be aware that Wendy Doniger and all her work is being aggressively trolled by Hindu Nationalists on many message boards like this with calls of "Lock her up" being directed towards anyone who might have critical things to say about India. Probably should not take a copy of anything with her name on it to India during election season.

Doniger does as very accessible translation. Her translation choices preserve the meaning while allowing a flow to the language. I have a number of copies of the Rig Veda. I like Doniger's hymn selection in this version. The Rig Veda gives a unique insight into an ancient civilization and its practices.

I liked everything about the book! Wendy Doniger is sublime in her works. I follow her writings for many years now! Truly excellent! Paul van der Velde, the Netherlands

This text is:(1) An accurate translation of the Vedas as far as we know.(2) A product of Orientalism.(3) Relatively unpolluted by ideology (as far as the translation itself goes).This text is not:(1) A guide to how the Vedas were used in classical India.(2) An accurate commentary on how Hindus view the Vedas.(3) Complete.(4) A representative summary of the Vedas, although it does have the few very famous Vedas which Hindus would memorize even today.It's not a bad edition and I award it 5 stars. Ignore the commentary.

I should have read closer, it is only 108 of the 1,028 hymns in the Rig Veda. Disappointed.

Excellent book and excellent seller

Great product, good communication.

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PDF Ebook , by Jennifer Robson

PDF Ebook , by Jennifer Robson

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Product details

File Size: 1339 KB

Print Length: 379 pages

Publisher: William Morrow Paperbacks (December 31, 2018)

Publication Date: December 31, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B071JLP5Z7

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"The Gown", by British author Jennifer Robson, is historical fiction written in a favorite style for authors these days. Namely, there are multiple points of view - in this case, three - and operating in different time periods, two in Robson's book. The story's focal point is Princess Elizabeth's wedding dress and the interest and attendant commotion it caused in the post WW2 Britain. The government and the Royal Family threw caution to the wind after years of war-time and post-war economy and rationing and gave Elizabeth and her (dishy) groom, Philip Mountbatten, a real celebration.Part of most wedding hooplas, of course, is the wedding dress. Elizabeth's was handmade at the fashion firm of Norman Hartnell. Hartnell had been dressing the Royal family, as well as other aristocrats and general rich people since the 1920's. He and his firm were the obvious choice to design THE dress for the November, 1947 wedding. Jennifer Robson focuses on two of Hartnell's embroiderers in her story.Robson writes in her Afterword that she wanted to write about the Royal Wedding, but not from the usual viewpoint of the bride or members of the wedding party. She chose to write using the two women - both at odds and ends in post-war Britain. Ann, a young woman from Barking, has worked at Hartnell for 10 years or so and has worked her way up in the Hartnell studio. Miriam is a refugee from France, who arrives in London both with a recommendation from Christian Dior and a lot of secrets she's not willing or able to disclose. She gets a job at Hartnell and she and Ann share a house. The third character of the story is Ann's granddaughter, Heather, who lives in current-day Toronto. Her beloved "Gran" has died and she - like her old friend, Miriam, has gone to her grave with lots of untold secrets.Jennifer Robson brings both the plot and the characters together, and makes the time span of 70 or so years between 1947 and 2015 disappear. She's a good writer and the book, while somewhat predicable. I assume it would be a good book club selection. Is it great literature? No, but it's a good read.

Jennifer Robson’s novel THE GOWN captures a time and place with such exquisite detail. Historical fiction fans, royal watchers, and fashion lovers behold this book! Robson has woven a story about post-war time England when times were terribly dismal – think rationing, jobs were grueling and often served only to make ends meet, if that, and life was just hard. But, Princess Elizabeth’s upcoming royal wedding was soon to take place and all of London was a buzz. Everyone awaited to see what she was going to wear and even in grim 1947, pre-social media, people were clamoring a glimpse of the design of yes, a dress. Perhaps, a sparkle of hope.A young woman who lost her entire family, but not hope, had the talent and the good fortune to work as an embroider for the designer of the soon to be Queen’s wedding gown. Her impending friendship with a new colleague transforms both of their lives and a generation to come.A magnificent story unfolds of friendship, romance, family, and the ties that bind.

What a splendid book. The cover is gorgeous, the story fascinating. The story of the women and the designer who created Queen Elizabeth's wedding dress is a gripping tale. There are some unexpected twists in the story as Heather travels to London to seek answers about her grandmother's mysterious past, only to discover much more than she bargained for. The best part was the little snippets the author shared about meeting and interviewing one of the very women who worked on the dress. I waited months to get my hands on this book and it was worth every impatient minute I experienced.

A thoughtful handling of the difficulties faced after WW ll by the those impacted directly by the horrors of death and destruction and the resultant lack of resources in England and France. Opposing this is a story of hope and beauty with the design and exceptional sewing of the intricate beading of the wedding dress of Princess Elizabeth - a skillful art only a few possess or attain. As I am also an needle arts enthusiast, I especially appreciated this treatment of a little understood art form.

I was attracted to The Gown by the plot summary, so I bought the Kindle edition. While the plot is indeed good, the character development drives the novel and contributes to its realism. Robson created a genuine, honest group of believable people in this story and showed solid attention to multiple details. There were a couple of nice twists in character relationships that added depth and interest. While the story dealt with hard issues of life in and after WWII, the story is never gloomy because the characters maintain hope despite struggle and hardship. The appendices offer insight into Robson’s process, the genesis of the story, and, they open a window into the life of the living seamstresses who the novelist had the chance to interview for the book. This was my first novel by Robson and it was a very pleasant read.

When I was very young, one of my aunts was super interested in then Princess Elizabeth. If they had had TV back in the day, she would have been up at 5 in the morning watching the Royal Wedding. My aunt was also a good seamstress, and perfection was her goal, so these points of interest combined with the fact she was my favorite aunt, piqued my interest from the very beginning. I never knew much about the living conditions in Great Britain after WWII, so this book was a good history book for me. The story line was good once I got the hang of switching back and forth among the characters and the generations, and I found the characters to be interesting and believable. I highly recommend this book!

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PDF Ebook The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

PDF Ebook The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

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The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

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Review

“. . . an astounding achievement, both as a literary and photographic work.” - Fangoria“Koudounaris gracefully transcends mere ghastliness and ghoulishness to challenge cultural perceptions of death, both current and centuries old. The result is not only a highly original work of great visual beauty and rigorous scholarship but also a surprisingly intimate and tender meditation on what the author calls 'the dialogue with the dead.'” - Bloomsbury Review“The photos of the skulls alone justify the purchase.” - Talk

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About the Author

Paul Koudounaris received his doctorate from the art history department at UCLA. His previous books include The Empire of Death and Heavenly Bodies. He lives in Los Angeles.

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Product details

Hardcover: 224 pages

Publisher: Thames & Hudson; 1st Edition edition (October 24, 2011)

Language: English

ISBN-10: 9780500251782

ISBN-13: 979-0500251781

ASIN: 0500251789

Product Dimensions:

9.2 x 1.1 x 12.4 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

49 customer reviews

Amazon Best Sellers Rank:

#80,369 in Books (See Top 100 in Books)

I am so happy that I ordered this book. It is full of stunning photography and the binding is very elegant. This was a perfect addition to my collection of books about Ossuaries. Typically these kinds of books are either coffee-table books burdened by mediocre writing and poor scholarship, or textbooks with wonderful historical perspective but few images. The text by Koudounaris entirely worth reading, though the format sacrifices ease of reading for visual appeal. Some of the sites in this book are rarely photographed or written about, so it is really a wonderful resource in addition to a beautiful book for display. It also includes map locations and very clear cross referencing in the appendices. To be honest, the photographs are so beautiful that it would be worth buying for those alone.

A lovely photography book that picks up and goes a bit deeper than Paul Koudounaris' excellent previous book, "Heavenly Bodies" - the images are hypnotic and so full of radiant 'life' and beauty, artistry and veneration, that while being drawn in to the superb imagery one can never forget exactly what we are seeing - the glorification of the inevitable. The book itself is a work of art - heavy, golden decorative pattens adorn the thick covers, while the pages are exquisite glossy heavy bond. At 224 pages, this is a work of love and craftsmanship. And, without many of these images, where would all those Death Metal bands get their album covers?

I wanted a book that would give historical and interesting facts on places of death and our treatment of the dead. That is just what was delivered and more. The photos are large, high quality and provoked a range of emotions from me including shock, dread, awe, curiosity, and the desire to learn more. I agree with another reviewer that, despite its "coffee table" appearance, the information in this book is very well researched. Also, the the material is in-depth without being academic or dense and seems to build on itself to form a chronology of the history/facts covered.Two, perhaps, unexpected consequences of my reading this:1. My acceptance of death as a normal part of being human has already increased as a result of what I have read and I am definitely more open to its discussion.2. I recognize a need for society to demystify death and break down the taboos so as to better prepare ourselves, thus living more deliberately.

Awesome! Anthropoligst, phsychologists and thansthologists galore.! Also very interesting for people intrigued about or researching the reality of death. Very few books on this topic available. Not so good as Memento Mori, but also extraordinary images and text. Try a recently released book from another author, called "Death, a graveside companion".(1st edition). It's TRULLY awesome!!

A really beautiful and substantial book in the hand. This book is less picture heavy and much more literature heavy than most books about the catacombs. If you are looking for an enormous photobook that is MOSTLY photos this is not your best bet. If you want lots of information interspersed with gorgeous photos and drawings its a win.!

This is a remarkable book. It is beautifully produced and manages to span the realms of the coffee table grimoire and the insightful scholarly work. Paul Koudounaris speaks authoritatively and succinctly, revealing a world of life and hope that has been effectively extinguished in modern society. There is an unsettling message that resonates through every page; by marginalizing and concealing our beloved dead, we take some of the vivacity from our own lives. Plus, you get a built-in ribbon bookmark.The Empire of Death will likely change the way you think about death, even if you had a relatively amicable relationship before.

The photos are really what this book is all about - stunning, chilling, perplexing and intriguing glimpses into the burial or preservation practices of centuries past.If you actually "read" the book, there are some issues: very small typeface, a bit frozen and boring in terms of content, and not a robust accompaniment for the incredible photos.I looked through and enjoyed this and then gave it away as a sumptuous gift to a friend.

Littered around Europe are so called Ossuaries where bones arekept either in special niches or arranged in convivial macabrebaroque art. This book is a compendium of such shrines and ahomage to death itself.Paul Koudounaris has documented well and little known CharnelHouses, not to mention he presented it with flair and supplementedwith several pictures.Included in this handsome hardbound book are the famous CapuchinChurch in Palermo,Scwarzenberg Chapel, Waldsassen and Church ofSaint Francis in Portugal.This is highly recommended for those who are Connosieurs of theStrange and those who are not brave enough to cross the thresholdof the said chapels and churches. Dr. Koudounaris has done anexcellent job and give us a free tour of the Realm of the Dead.

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Free PDF Imperium, by Ryszard Kapuscinski

Free PDF Imperium, by Ryszard Kapuscinski

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Imperium, by Ryszard Kapuscinski

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From Publishers Weekly

Polish journalist Kapuscinski offers a travelogue account of the collapse of the Soviet system and the difficulties of creating genuine democracy from what has been left behind. Copyright 1995 Reed Business Information, Inc.

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Review

"Kapuscinski is a transcendental journalist. . . . He begins with appearances, for which he has uncommon gifts of poetry, irony and paradox, and clambers down them into essences. . . .He is writing about the whale from inside its belly."—Los Angeles Times"Kapuscinski is an enchanting guide, combining boundless stamina, felicitous writing, childish curiosity and the literate authority of a true intellectual. . . . There are treasures in this book. . . .It is a triumphant combination of bleak history and black comedy."—The New York Times Book Review"When our children's children want to study the cruelties of the late twentieth century . . . when they wonder why revolution after revolution betrayed its promises hrough greed, fear and confusion, they should read Ryszard Kapuscinski."—Wall Street Journal"A compelling and convincing narrative that examines the extensive damage done to entire nations, the human psyche and the physical environment....This is a devastating picture of Russia [that] penetrates deeply into the depressing truths of 70 years of Soviet rule, the borders, the fear, the inhumanity.... His portrait of the 'Imperium' is tragic, but ever so true."—Professor Thomas R. Beyer, Jr., Middlebury College, The Boston Globe

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Product details

Paperback: 352 pages

Publisher: Vintage; 1st Vintage International Ed edition (August 8, 1995)

Language: English

ISBN-10: 067974780X

ISBN-13: 978-0679747802

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#269,212 in Books (See Top 100 in Books)

A gathering of essays and impressions over the years (starting with a flashback to his early childhood in Polish speaking, Nazi-invaded Belorussia) and featuring Kapuscinski's two years of wanderings around the imploding republics in the early 90s. Perhaps the most fascinating insights are derived from his conversations about the peak Stalin years, and the innumerable blind gaffes (and knowingly perpetrated acts of icy bureaucratic inhumanity) which buffeted every region from the Baltic States to the Caucasus to Baikal to deep Siberia. At times it reads like a nightmare, at times like a surreal document from the 15th century, at times like letters home from the front. Indispensable to an understanding of modern Russia.

Reading Ryszard Kapuscinski is like sitting at the knee of a master storyteller! The tales he tells are amazing, horrific, informative, fabulous--all the things a great storyteller weaves into a tale. The only thing is that Kapuscinski does not make up his stories. He boarded (he is deceased) trains and planes for far-flung places--all in the name of news gathering. However, what Kapuscinski delivers then is not just news, but his dry-eyed observations of humans in all their glory, all their disgusting or disquieting ways, their cruelties, their passions, even their incredible, often feeble attempts just to survive, and amazingly, in this context, their jubilations, their small victories, and their powerful will to live. Kapusciski is a master all right: of human nature, of writing, of that rare ability to inform, entertain, and evaluate. He is a newsman extraordinaire.In "Imperium" Kapuscinski turns that extraordinary talent to---call it what you will---the U.S.S.R.---the Soviet Union---Russia and her satellites. He visits, in many cases, multiple times, every country that made/makes up the U.S.S.R. (He divides his book into three parts, each denoting his travels and findings. They are "First Encounters 1939-1967," detailing his own experiences as a Pole with Soviet power and rules. Then Part 2 concerns his observations from his extensive travels across the USSR from 1989-1991. Part 3 (1992-1993)is comprised of his astute commentaries, fascinating reading!) Back to the USSR: I was simply amazed at the extent of differences of each country, of the almost phenomenal ability of the Soviet ruling elite to hold such a disparate world together. But at what unconscionable cost?That's the horror of the story--the horror of mass exterminations that went far, far beyond whatever goals Hitler and his Nazis conceived and carried out. Six millions? A mere pittance in comparison! Kapuscinski's figures in support of the vulgar, despicable number of deaths carried out by Stalin and later Soviet powers are more than shocking! Here's just one figure concerning one circumstance out of dozens: "Stalin starved to death around ten million people" (285). His chapter about the Great Famine will make you absolutely weep that such a distorted and vile creature as Stalin was allowed to live. The reader truly learns the meaning of the words "totalitarian" and "tyrant."But there's also a creative passion. After the dissolution of the Soviet Empire, Kapuscinski tells the reader about a wondrous story in the making. In Belarussia, there are the ruins of a church, felled by German artillery fire during WWII, where someone discovered bits of colored fresco. Prof. Grekov made it his life's work--and his students--to put that shattered fresco back together. Imagine! (Is this tear from Mary at the loss of her son or from the Mary who discovered the resurrection? Is this bit of fire from the burning bush or the fire of hell?) And it is Grekov's imagination that Kapuscinski celebrates. This long quote will show that imagination, that spirit and tenacity of the people, and, most of all, Kapuscinski's magnificent ability to weave facts and observation into gossamer, but gossamer with tensile strength:"And thus observing how from thousands of particles, bits, and crumbs, from dust, molecules, and pebbles, the professor and his students have been for years piecing together portraits of saints, sinners, and legends, I feel as though I were a witness, in this cold and dusty underground, to the birth of the sky and of the earth, of all the colors and shapes, angels and kings, light and darkness, good and evil" (302).So it is with the reader in discovering Kapuscinski's own talents. My personal pick of his most profound talent is that of observation of human nature, which then provides the reader with astute commentary. His explanation of the Russian mafias is illuminating. When Russian mafia figures began showing up in news and then films, I was perplexed. Mafias in Russia? How was this possible in a world of the KGB and totalitarian government? The answer? Bezprizorny! Homeless children! Beginning with the deaths caused by World War I, then October 1917, then civil war and mass starvation resulting from weather and by tyrant--a new class of social strata was born, or hatched, or exploded like Athena from Zeus's head: A new class--the bezprizorny by the thousands. Their goals: find food, find shelter. With no adults to guide them (if there were adults, living conditions still would not be conducive to developing healthy children either physically or emotionally) these pitiful children lived however they could, becoming more and more dangerous as their numbers doubled, tripled.Eventually, they formed their own mafias and lived by mafia rules: stealing and squaring accounts. Today's Russian mafias are the grandchildren of this class. Each successive event in Russia--the second world war, postwar purges, accelerating corruption of government, disintegration of the USSR---all contributed to the huge numbers of homeless children who produced children and grandchildren, who make up today's powerful and horrifyingly violent mafias. In fact, there are three distinct mafias: the Russian Mafia (from Russia proper--a whole other story in his book), the Caucasian Mafia (all other ex-Soviet countries), and the Asiatic Mafia (those from Islam regions, a huge population in the former USSR).I could tell story after story from Kapuscinski's book-- (For example, the story of Turkmenistan, the country of the desert, a place of riches and freedom, but not by America's standard of riches and freedom! This story alone--its explanation of the power of the desert--is worth the price of the book) --so packed it is with horror and passion, but each time I relate a story, I know it is taken out of context. Kapuscinski's account is causally and historically driven. There is an order, a precise arrangement in relating the stories about the USSR and its dissolved union. The only real way to learn this information, this series of inspired scrutinies of days past and days future is to read the book. Whatever I write will never do this book justice. You will also discover that one reading is not enough to absorb the expanse of space and time that that fills Kapuscinski's book."Imperium" is not a book to miss, if you want to learn what the USSR really was. You must order it today! Two other books by this writer that I also highly recommend are "The Other" and "Travels with Herodotus."Thanks to GB who introduced me to Kapuscinski, currently my favorite writer.Note: I see in previewing what I wrote before I hit the publish button that I was totally correct. I did not do this book justice. It is so much more-much, much more-- than the few words I wrote.

I read his book on Herodotus (actually, his reading of Herodotus while on his many travels) and liked it a lot. So I bought this book and am not disappointed.I've learned a lot about Russia and the former Soviet Union--for instance, how much of a Turkic empire the former central asian republics are. Most of those former "republics" are occupied by Turkic people who speak a common language and can readily understand one another.We are all now aware of the Stalinist brutality that existed. But this book really brings it home and just how hard and grueling life has been in the imperium and how much it continues to be so, especially in the outlying areas.The author notes that Russian demographers have estimated that between 1918 and 1953, between WWI and the Stalinist terror, between 55 and 110 million Russians died of unnatural causes. The full horror of the prison camps--in Siberia, for example, over one-third of those who entered died in prison--the forced starvation and murder of over 10 million Ukrainians, and the appalling harshness of life and environmental depradations that Bolshevism brought are revealed into full view in his writing.The author, who writes this book in the early 1990's and died a few years later, is hardly optimistic in his assessment of what lies in store for Russia and the former republics.The book is a real eye-opener about what is going on in Russia today.

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Download PDF , by Alexandra Risen

Download PDF , by Alexandra Risen

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, by Alexandra Risen

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Product details

File Size: 9090 KB

Print Length: 304 pages

Publisher: Houghton Mifflin Harcourt (July 5, 2016)

Publication Date: June 1, 2018

Language: English

ASIN: B011H55RS6

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Amazon Best Sellers Rank:

#159,401 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Alex Risen’s Unearthed is a lovely memoir, full of detail and lively characterizations. She covers a lot of ground (literally), both in the restoration of the abandoned garden and in the trajectory of her life, mingling the two almost seamlessly. The unearthing of her parents’ mysterious Ukrainian past during WWII, even as her mother has become so senile as not to be able to answer the thousand questions Alex has, is powerfully moving. The restoration of her garden, then, becomes a metaphor for the discovery of her past and finally helps her to heal old wounds. I found some of the transitions a little wobbly, but her beautiful prose more than makes up for this.

As a lifelong gardener who also had a difficult relationship with her gardening mother, this book really hit quite a few chords. I appreciated her description of how gardening connected her to her past and future.

I was also inspired by Gordon Lightfoot!

Never have had descriptions done so well that I actually wanted to be in the garden especially after it was finished.

Discovery and restoration of an old garden, should be a fascinating story. Unfortunately this book fails to be fascinating. Practical information is lacking here. What is in abundance are attempts to make "profound and deep" connections with the earth. The author hired a guy who balances the earth's magnetism. That really puts most of what she says here into perspective.The book seems to be written in the same impulsive, leapfrog manner that she directs her attention to activities. One second we are making the garden look nice for her "blessing" event and digging up dead roses, and the next she is playing with clay found under a rose and taking a pottery class. We hear way too much about how her clay won't do, or maybe it will, or it is better than he thought at first. Not necessary detail. The focus of the book is constantly changing.So this wild ravine has weeds? The solution they picked was to power pump vast quantities of mulch????? Where on earth did she find her experts? Have you ever seen a wooded ravine where a thick layer of wood mulch blanketed the area naturally? And then they are shocked when it washes down hill.EVERYTHING seems to scare either the author or her "experts". Old wires and light fixtures are hardly a danger, unless they are still live. EASY to determine with a voltage sensor. If no longer connected, they don't have to be yanked out to make the area safe! One deer, doing nothing but lying down, is another very alarming happening! Wow. We hear a lot of unnecessary worry but little of interest.Why is there such a problem about her parent's past? How could she not be interested? She acts as if the found paperwork can somehow contaminate her. Her responses to too many things are "far out there".At the end, she suggests being careful when foraging for plants. If you aren't sure what a plant is, you might want to rub it on your skin. WHAT? Would it not be far more prudent to identify it FIRST? Picking and rubbing a leaf on your skin is an excellent way to give yourself a serious case of say, poison ivy. After touching it with your fingers, those fingers are likely to make contact to skin in many other places, before you get home or think to wash them!And even after slogging through to the end, we have zero idea of how the garden was restored, what lives there, how they maintain it. Just vague mentions of buckets of heavy things carried up and down the 81 steps. We have no idea what was actually done to save the failing pagoda. After hearing the foundation is sinking and powdered, the roof failing, the columns disintegrating, about all we learn is they chose black slate tiles and small white marble ones for the floor and removed some wood in the ceiling.The writing is very jumbled. Besides poorly interweaving the garden parts with her personal hangups, the present and the past keep mixing. The result is a book that is hard to read and not enjoyable.

Just as the author and her husband buy an acre property just outside downtown Toronto, her father dies. This doesn’t make much of a difference in Risen’s life; in her entire life he has hardly ever spoken to her. He didn’t ignore her; he would work on projects with her- silently. That was pretty much their only interaction. It wasn’t that he couldn’t speak; her parents had long, loud arguments all the time. Her mother, always working in the garden or putting food by, is now alone and getting fragile, and has always preferred Risen’s older sister; she also almost never spoke to her younger daughter. The restoration of their new house and property, a chunk of a former large estate, is narrated concurrently with Risen’s quest to understand her parents.The reason that the author was so taken by this rundown and overgrown piece of property is that it’s on a ravine and is like a piece of forest in the urban setting. As a child, she would escape into the forested ravine behind her house, spending hours there away from her parents, who apparently didn’t care that she was never home. It’s also a challenge, I suspect; if she can make this garden beautiful and orderly, maybe her gardener mother will finally think her worthy of love and attention. Sadly, over the ten years of so it takes to renovate the acre, her mother has a stroke and then develops dementia. Despite Risen’s insistence that she get on a plane and visit, she will never see this piece of property. But when the author and her sister clean out her mother’s place as she is moved to a home, they find a cache of old papers- papers that may hold some answers to her questions about her immigrant parent’s origins.I really felt for the author; like her, my now dead parents are a deep mystery. Unlike her, there is no folder of hints or clues, but her search for answers struck a chord with me. The urge to know where one came from is, I think, fairly universal, and to have parents who never speak of the past leaves a hole in one’s heart. I’m also an avid gardener, and would love to have a property with old oaks, a redwood, a spring fed pond, and an old falling down pagoda. I understand the amount of work it would take to bring a place like that back into orderliness, although I have no comprehension of the amount of money it took them with all that they hired to have done- had the concrete pagoda rebuilt, professional arborists, landscape designers, a pool installed- their place is the proverbial money pit.Risen does remember her mother’s lessons on wildcrafting; each chapter ends with a recipe or craft done with plants from the land. Risen also chronicles her son growing up; he’s not very much into gardening-he’s a computer kid- but he does enjoy the paths and the pond, wildlife, and some of the crafts. The garden provides them with ways to be closer.The story is bookended by deaths; the author’s father begins it and her mother’s ends it. Risen has not found the answers she wanted, but she has learned some of what made them who they were. And she feels they did, as my mother said she did, ‘the best they could’. I really liked the book, even though I found the author frustrating at times as she had moments of immaturity. I stayed up nights reading it, and thinking about it when I was out gardening.

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